Silencing Sam Read online

  SILENCING SAM

  ALSO BY JULIE KRAMER

  Missing Mark

  Stalking Susan

  SILENCING SAM

  A NOVEL

  JULIE KRAMER

  A Division of Simon & Schuster, Inc.

  1230 Avenue of the Americas

  New York, NY 10020

  www.SimonandSchuster.com

  This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

  Copyright © 2010 by Julie Kramer

  All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Atria Books Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020

  First Atria Books hardcover edition June 2010

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  Designed by Dana Sloan

  Manufactured in the United States of America

  10 9 8 7 6 5 4 3 2 1

  Library of Congress Cataloging-in-Publication Data

  Kramer, Julie.

  Silencing Sam : a novel / by Julie Kramer.—1st Atria Books hardcover ed.

  p. cm.

  1. Women television journalists—Fiction. 2. Gossip columnists—Crimes against—Fiction. 3. Murder—Investigation—Fiction. 4. Minneapolis (Minn.)—Fiction. I. Title.

  PS3611.R355S55 2010

  813'.6-dc22 2010015091

  ISBN 978-1-4391-7799-0

  ISBN 978-1-4391-7803-4 (ebook)

  To my agent Elaine Koster,

  who’s helped me navigate from news to novels

  SILENCING SAM

  CHAPTER 1

  It felt satisfying to leave a funeral with dry eyes.

  I wasn’t mourning a young life taken too soon. I wasn’t mourning a tragic loss to senseless violence.

  He died old. In his sleep. In his own bed. Just the way we’d all like to go.

  For the last decade, he’d been a reliable source of scoops around city hall, so I’d paid my respects. I didn’t stay for the ham-sandwich-and-potato-salad lunch in the church basement; I needed to get back to the station before my boss realized I was gone.

  As I reached the parking lot, I heard my name. I’m Riley Spartz, an investigative reporter for Channel 3 in Minneapolis. People recognize me frequently. Sometimes that’s good. But not this time.

  I turned and saw a short man with perfect hair and stylish clothes, waving at me from behind the hearse.

  “We have nothing to talk about,” I said, continuing to walk—but faster—to my car.

  “How can you be so sure?” He ran to catch up to me, his cologne getting stronger as he got closer.

  As a policy I didn’t speak to Sam Pierce, the local newspaper gossip writer, but I shouldn’t have been surprised to see him lurking outside the church. He liked sneaking into funerals and later listing in his column who cried and who didn’t. Who wore black and who didn’t.

  “Let’s talk about what’s going on in your newsroom,” he said. “I hear that new reporter from Texas started today.”

  Sam liked to hit fresh TV blood with some cruel observation in print soon after they arrived. Maybe something mortifying they did at their old company Christmas party—like sitting on a supervisor’s lap. Maybe something embarrassing that happened the first day on their new job—like mispronouncing a local suburb, perhaps Edina—during a live shot. Sam adored branding newcomers as outsiders.

  “I heard some interesting things about his marriage,” he continued.

  I ignored him. Sam Pierce was a verbal terrorist.

  A lot of what he wrote simply wasn’t true. When pressed, he’d admit it, justifying publication with the explanation that, unlike me, he was not a reporter and didn’t have to prove anything was true. He just had to prove people were gossiping about it.

  Often he purposely refrained from calling the subject for confirmation or reaction. Otherwise, he might officially learn the morsel was false and have to kill the item. That would create more work, hunting down last-minute trash to fill his gossip column, “Piercing Eyes.”

  Sam’s newspaper photo was cropped tight around a pair of intense eyes. The design achieved a striking graphic look for his column, plus it gave him the anonymity that allowed him to show up in places he’d normally have been unwelcome if recognized.

  Sam had adopted a media technique used by the newspaper food critic to help keep her face incognito while dining. He appeared as a frequent radio talk-show guest but avoided television interviews like birds avoid cats.

  Because I was part of the local press corps, I could pick Sam Pierce out of a crowd but was always surprised how few public figures recognized him. Until it was too late.

  “It might be in your best interest to cooperate,” Sam hinted to me. “Think of it as buying goodwill to keep your own transgressions out of the newspaper.”

  “You’ve got nothing on me.” I climbed into my car.

  “Don’t be too sure. I have my sources.”

  “Not only do you have nothing on me,” I said, “you have no sources.”

  Then I slammed my car door, drove away, and hoped it was true.

  CHAPTER 2

  The new reporter Sam was planning to blindside was staring at a giant map of the Twin Cities hanging over the newsroom assignment desk. Tomorrow, he’d be thrown on the street to bring back a story. But today, he was getting to know the anchors, producers, and other behind-the-scenes players at Channel 3.

  He’d apparently offered to listen to the police scanner and that pleased the bosses, because for most of us, the constant cop chatter was just more newsroom white noise.

  Clay Burrel had been working at a TV station in Corpus Christi along the Gulf of Mexico when our news director, Noreen Banks, saw something special in his résumé tape and brought him north. A nice career move for him. Market size 129 to market size 15. I figured Noreen got him cheap.

  He walked like a man who’s good-looking and knows it, not unusual in television newsrooms. More unusual was his footwear, cowboy boots of an exotic gray and white reptile skin.

  “Glad to be working together, Clay,” I said, trying to live up to our Minnesota Nice reputation. “I just want to give you a little heads-up …” I started to warn him about the gossip writer when he suddenly went, “Hush, little lady.”

  “There it goes again,” he said. “Most definitely 10-89. Homicide.” He pointed to the 10-codes taped on the wall next to the scanner box.

  And because his ears heard news gold in a homicide call, within minutes he was on his way to get crime scene video with a station photographer and was soon leading the evening newscast with the EXCLUSIVE story of a decapitated woman—her nude body dumped in Theodore Wirth Park, about ten minutes from the station.

  Wirth Park has a bird sanctuary, a wildflower garden, and a woodsy lake and creek framed by lush fall colors this time of year. But it also has a reputation for danger that’s stuck with it for the last decade or so after two prostitutes were found murdered there. In all fairness, their bodies were dumped. So they could have been killed anywhere, even the suburbs. And frankly, unless you count unleashed dogs and occasional complaints about sodomy in the bushes, the crime there isn’t any worse than
in any other Minneapolis park.

  Yet, when the news hit that another dead body had been found in Wirth, all across town, folks nodded knowingly.

  Minneapolis Park Police had been waiting for this day to come and had installed a surveillance camera in the parking lot to record any future criminal suspect’s vehicle. But there was apparently a problem that night and the machine malfunctioned. So authorities had no video leads in the grisly slaying.

  I was impressed—okay, I’ll admit it, jealous—as Clay Burrel broke one scoop after another regarding the homicide, starting with the fact that the woman’s head was missing.

  ((CLAY, LIVE))

  WITHOUT THE VICTIM’S

  HEAD … IDENTIFICATION IS

  DIFFICULT UNLESS HER DNA

  OR FINGERPRINTS ARE ON

  FILE … AND SO FAR,

  AUTHORITIES ARE COMING UP

  EMPTY ON THAT END.

  Besides making it problematic for the police, I’ve often found that without the victim’s name, face, or history, it’s difficult to get viewers to care about a specific murder amid so much crime.

  So at first, it didn’t bother me that I was missing out on the missing-head case. The way news assignments generally work, if you claim a story, it’s yours. You eat what you kill. Clay found the story; Clay owned it.

  But interest in the murder continued to escalate as our new reporter explained that the victim had a nice manicure and pedicure, thus eliminating homeless women and making the deceased seem a whole lot like all the other women sitting home watching the news, doing their nails.

  Or maybe it was simply curiosity about Clay Burrel that made them click their remotes in our direction.

  With his Texas background, he was a little more flamboyant than the rest of the Channel 3 news team. Though he didn’t wear a cliché ten-gallon hat, he had several pairs of distinctive cowboy boots. (I suspected he wore them to appear taller. With the six-foot-five-inch exception of NBC’s David Gregory, many TV news guys, like Clay, tend to be on the short side—and self-conscious about it.) But viewers seemed instantly enamored with Burrel’s faint drawl and Texas colloquialisms as he chatted with the anchors about the status of the mystery.

  ((CLAY/ANCHOR/SPLIT BOX))

  SERIOUSLY, SOPHIE, WITHOUT

  THE WOMAN’S HEAD, POLICE

  STAND ABOUT AS MUCH

  CHANCE OF SOLVING THIS

  MURDER AS A GNAT IN A

  HAILSTORM.

  I could see him becoming as popular as Dan Rather once was on election nights.

  Noreen was thrilled with her young and hungry new hire because for the first time since she had taken over the newsroom four years ago, her job was on the line.

  Channel 3’s market share was tanking after Nielsen installed a new ratings-measuring system in the Twin Cities—electronic people meters. The media-monitoring company claimed the devices were more accurate than the former handwritten diary system and could reveal ratings year-round instead of just in designated sweeps months.

  This was supposed to take the drama out of February, May, and November, when television stations artificially stacked their newscasts with sensational stories of sin and scandal. In reality, newsrooms were now finding every month becoming a sweeps month.

  “When it’s done, it airs,” Noreen had told us in a recent news meeting. Which introduced, in my opinion, an unhealthy—even desperate—speed-up factor to news investigations.

  “I’m not interested in philosophy,” she responded when I tried to discuss the matter. “I’m interested in results.”

  Not these results. How many people are watching the news isn’t as important as which people are watching. And women viewers ages twenty-five to fifty-four are the prize demographic.

  Under the new ratings system, Channel 3 had fallen from a normally close second in that coveted tier to a distant third. That audience drop made our newscasts less attractive to advertisers and meant our sales staff couldn’t charge as much for the ads they did land. Barely six hundred people meters are used in the Minneapolis–St. Paul market to gauge the television habits of three million viewers. The station’s owners cried foul over how the new Nielsen households were selected. But Nielsen didn’t care.

  Then Clay Burrel came along with tantalizing tidbits of murder and mayhem, and overnight, the numbers started shifting.

  I was in the station green room, pulling a ceramic hot iron and styling brush out of my cubby for a quick touch-up before leaving to shoot a standup about identity theft. As I gazed in the mirror while I flipped my hair under, I appreciated the decades of history the green walls reflected.

  Besides news talent, famous guests—presidents, athletes, even a rock star fond of the color purple—signed their names on these walls. I noticed a fresh addition, larger than the rest, as conspicuous as John Hancock’s on the Declaration of Independence. The sweeping signature read “Clay Burrel.” I actually wasn’t surprised, as I’d heard more than once over the last couple of days that everything was bigger in Texas.

  As if on cue, Clay walked in to powder his nose and share with me the news that he was about to go on the air and inform viewers that “sources now tell” him the victim in the missing-head case was a natural blonde.

  I congratulated him on his legwork. Then he started grumbling about how, when he accepted this job, he thought he was joining one of the top news teams in the market. Instead, by the look of things, he was the top.

  “I guess what they say about Texans and bragging is true,” I replied, a little miffed he was acting like a star right out the gate.

  “If you’ve done it, it ain’t bragging, little lady.”

  “Stop calling me that.” The moniker was as condescending as a pat on the head.

  “Sure don’t mean anything by it,” he said. “Just keep hearing what a hotshot investigator you are and so far I haven’t seen much investigating. Makes me wonder if you’re all hat and no cattle.”

  I threw him a much-practiced If Looks Could Kill glare but instead of shutting up, he told me I was about as “cute as a possum.”

  That was when I vowed to steal the headless murder story from him and make it mine.

  CHAPTER 3

  The next morning I got a news tip of my own and was on my way in the station helicopter to the Minnesota-Iowa border with Malik Rahman, my favorite cameraman. I’m not crazy about flying, but for this story, aerials were a big bonus.

  An hour later, we were over an unusual crime scene.

  The corn in the farm field below us was flattened into an odd shape, but unlike crop circles (the first of which discovered in the United States was actually found in Minnesota thirty years ago), there was nothing graceful or mysterious about what had caused this crop damage.

  A giant wind turbine, part of a recently developed wind farm, lay flat on the ground, its trio of propellers spread wide. Dozens of other turbines stood in straight rows, spinning with no concern for their deceased comrade.

  Minnesota ranks fourth in wind power production, following Texas, Iowa, and California. As the national debate over energy becomes more urgent, wind has become a valuable and controversial crop.

  Malik zoomed the camera lens to the base of the turbine. Charred and mangled, it appeared to have been blasted from its cement foundation.

  The chopper landed on a gravel road where a group of local farmers, including my father (who had called me when he heard the breaking news), stood around, uncharacteristically unsettled by the sabotage. A young boy in bib overalls clutched the hand of one of the men.

  While wind turbines have attracted organized opposition in other parts of the country, for the most part, folks living here have taken to the idea of “farming the wind” and leased chunks of their land to energy companies. This part of the state hasn’t seen so much economic growth since Hormel invented Spam. And the money is welcome insurance against cyclical catastrophes familiar to rural America such as floods or locusts. Besides, the lofty turbines don’t seem that big a le
ap from their own agricultural ancestors, the windmills that not too long ago ground corn and pumped water.

  “Someone’s making some kind of statement,” I said to Malik after we interviewed people at the scene. “But what does it mean?”

  I gazed at the symmetrical rows of turbines, appearing smaller as they got nearer the horizon. Was some modern Don Quixote on a melodramatic quest to bring down these giants? Perhaps from a misguided sense of chivalry? While the entire world wants to boo bad guys, it’s important to remember that every villain is the hero of his own story.

  Some resistance to the wind industry has come from environmentalists who claim turbines harm birds. But so do airplanes, cars, and even patio windows, and no one’s protesting them.

  And there are plenty of complaints from people who claim wind turbines ruin their view. But at a time when America is challenged for energy, Not In My Backyard is not a particularly patriotic argument.

  The only other time there’d ever been an explosion in this county was some twenty years earlier, when a grain elevator accidentally blew. This was different. And the rural crowd wasn’t sure what to make of the toppled turbine. I tried to get some reaction on camera, but Minnesotans are generally not an excitable bunch and are more comfortable expressing pessimism than optimism.

  “It could be worse,” one farmer said.

  “You betcha,” another responded.

  And because things can always be worse, the rest all nodded in agreement and didn’t have much else to say about the situation, except for “Whatever.”

  Malik, an outsider to this manner of conversation, gave a little growl of exasperation, because he knew we had little usable audio and even less chance of getting any.

  “You can figure out what it means later,” he said. “Let’s shoot your standup and head back.”

  I noticed a monarch butterfly paused on a milkweed plant. Most monarchs are almost in Mexico by now. A late bloomer, apparently. I closed my eyes and imagined the magnificent migration of orange and black wings against green jungle.